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Blending Alabama Upbringing, West African Roots, and New England Education: My Unique Style Journey

My Style Is a Mix of My Alabama Upbringing, West African Roots, and New England Education. Finding It Took Some Time.

Personal style is often seen as a reflection of who we are, shaped by our experiences, environments, and cultural influences. For me, developing my style has been a gradual journey—one that bridges three distinct worlds: the warmth and tradition of the American South, the vibrancy and richness of West African culture, and the academic polish of New England life. It took years of exploration, experimentation, and self-reflection to find a look that feels authentic—an aesthetic that embodies all the pieces of where I come from and who I’ve become.

Growing up in Alabama, I found myself immersed in a society that put a high value on appearance. Dressing in your Sunday best was more than just an expression; it was a regular affair each week. Whether attending church, family reunions, or local gatherings, dressing impeccably was viewed as a demonstration of personal dignity and esteem. There was a strong link to heritage, and individuals took meticulous care in their presentation. Southern fashion often gravitates toward the traditional and well-coordinated: neat outlines, fitted attire, and a sophistication that seems enduring and deeply connected to regional traditions. As a youngster, I couldn’t quite grasp the significance that attire held during these times, but I sensed its meaningfulness. This early experience sowed the seeds for my admiration of mindful dressing.

Simultaneously, my heritage from West Africa enriched my perception of fashion with vibrant hues, layers, and significance. The cloths, motifs, and the symbolic narratives woven into each strand—these were far more than just attire. They represented culture, festivity, and personal identity. Growing up, I observed family members don garments that narrated tales—vivid designs that depicted ancestry, social position, and sometimes emotions. Be it a relative’s nuptial event or a cultural festivity, these ensembles communicated powerfully without uttering a word. Fashion from West Africa, known for its fearless brilliance and complex artistry, demonstrated to me that apparel could wield influence, even political implications. It encouraged me to express myself, to be distinctive, and to pay homage to my roots through my attire.

Then came New England—a place where my sense of self and my understanding of style were both challenged and refined. College life in the Northeast introduced me to a very different visual landscape. Here, style leaned into minimalism and functionality. It was quieter, more understated, and often intellectually influenced. There was a certain unspoken elegance in a well-fitted coat or a pair of perfectly worn leather shoes. Preppy aesthetics met urban edge, and it was the first time I really thought about how to blend my cultural influences with contemporary fashion in a way that didn’t feel forced. At first, I felt out of place. My Southern boldness and West African vibrancy clashed with the subdued palettes around me. But over time, I learned to adapt—not by abandoning my roots, but by fusing them with new elements.

That fusion process wasn’t immediate. For a long time, I struggled with how to bring these identities into harmony. There were days when I felt too traditional, too loud, or not polished enough. I would question if my choices were appropriate or if I was trying too hard to be seen. But slowly, I realized that authenticity in style doesn’t come from following trends or conforming to one aesthetic—it comes from confidence, and from a deep understanding of why you wear what you wear.

Currently, when I examine my closet, it resembles a chronicle of my journey. It reflects the elegance and poise of Alabama’s Southern allure, the depth and significance of West African fabrics, and the sophisticated simplicity of New England’s fashion ethos. A custom-fitted jacket might match with trousers featuring Ankara patterns. An iconic Oxford shirt might be combined with a kente vest crafted by hand. Subdued shades are complemented by lively accessories. I experience no obligation to select between cultures—I welcome them all.

Style, for me, has become less about fitting in and more about standing in truth. It’s about being intentional. It’s about acknowledging that my clothes are part of my narrative. They’re the visual extension of my values, my heritage, and my evolution. I don’t dress just for occasions—I dress to connect with my story.

One essential insight I’ve gained from this journey is that style evolves. It changes alongside you. Things that seemed unusual or awkward at first can become instinctive as you develop confidence. In a world that frequently attempts to categorize individuals, merging different influences becomes an understated form of defiance and a celebration of individuality.

My style is a living expression of three identities woven together. Each element—Southern, African, and Northeastern—brings something unique to the table. And together, they’ve allowed me to create a look that doesn’t just follow fashion—it honors memory, geography, and selfhood. It took time to arrive here, but it was worth every step.

By Robert Collins

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