Freddy Mercury intones “My way” with his voice, but without betraying the immortal style of Frank Sinatra. Charly García interprets gems from his last stage, such as “Influence” and “Spector” but it sounds like the eighties. michael jackson reverses with his irresistible swing “Starboy”, The Weeknd’s hit.
Thanks to the massification of the artificial intelligence (AI) Generative – the creation of original content from existing data – the Internet overflows with music that blends the old with the new, the work of users with more experimental ambition than profit. i made itinserting artist voice models celebrities in preset code templates, resources that circulate on hundreds of sites, free of charge and technically accessible.
Artificial intelligence and Hegel’s absolute spirit
The dynamic is as attractive to creators as it is unsettling to the industry A few weeks ago, when another collaboration created by AI went viral, this time between contemporaries drake and the weekndUniversal Music did not hesitate to threaten Spotify and Apple Music with legal action.
The record company required these services to transmission to block any type of music generated with the new methods, and to close access to developers who wanted to use their services to train the “pirate” algorithms.
The series on the life of Fito Páez enhances the streaming of his music
While the question of whether Artificial Intelligence is capable of creating art already sounds rhetorical, the major record labels seem to have chosen a path similar to that of the beginning of this century, when the rise of platforms such as napsterthat allowed sharing songs and records without intermediaries, led to a war of million-dollar lawsuits against users.
It was a resounding failure that did not change blocking the advance of these technologies, the same ones that reigned until the arrival of security services. transmissionthe new goal in the look of the old players.
AO JL
